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The "conceptual art" and Zack Snyder's production blog were the initial attractions of the site. In January , the studio launched a MySpace page for the film.

At Comic-Con International in July , the panel aired a promotional teaser of the film, which was positively received. A second trailer, which was attached to Apocalypto , was released in theaters on December 8, , [41] and online the day before.

In April , Warner Bros. Interactive Entertainment announced its intention to make a PlayStation Portable game, March to Glory , based on the film.

Collision Studios worked with Warner Bros. In August , Warner Bros. On July 21, , Warner Bros. This new Blu-ray Disc is encased in a page Digibook and includes all the extras from the original release as well as some new ones.

These features include a picture-in-picture feature entitled The Complete A Comprehensive Immersion , which enables the viewer to view the film in three different perspectives.

This release also includes a digital copy. TNT agreed to a three-year deal instead of the more typical five-year deal.

Once you make a great movie, word can spread very quickly. Since its world premiere at the Berlin International Film Festival on February 14, , in front of 1, audience members, it received a standing ovation at the public premiere, [67] it was panned at a press screening hours earlier, where many attendees left during the showing and those who remained booed at the end.

The site's critical consensus read, "A simple-minded but visually exciting experience, full of blood, violence, and ready-made movie quotes.

Some of the most unfavorable reviews came from major American newspapers. Scott of The New York Times describes as "about as violent as Apocalypto and twice as stupid," while criticizing its color scheme and suggesting that its plot includes racist undertones; Scott also poked fun at the buffed bodies of the actors portraying the Spartans, declaring that the Persian characters are "pioneers in the art of face-piercing", but that the Spartans had access to "superior health clubs and electrolysis facilities".

Variety 's Todd McCarthy describes the film as "visually arresting" although "bombastic" [76] while Kirk Honeycutt, writing in The Hollywood Reporter , praises the "beauty of its topography , colors and forms".

In the actual historical event, by the time of the Battle of Thermopylae the Spartans had already entered into an alliance with other Greek poleis against the Persians.

Like during the Battle of Marathon 10 years before in , the time of Xerxes's invasion of Greece coincided with a Spartan religious festival, the Carneia , in which the Spartans were not permitted to make war.

Still, realizing the threat of the Persians, and not wanting to appear as Persian sympathizers, the Spartan government—rather than Leonidas alone—decided to send Leonidas with his personal strong bodyguard to Thermopylae.

The historical consensus among both ancient chroniclers and current scholars was that Thermopylae was a clear Greek defeat; the Persian invasion would be pushed back in later ground and naval battles.

Since few records about the actual martial arts used by the Spartans survive aside from accounts of formations and tactics, the fight choreography led by stunt coordinator and fight choreographer Damon Caro, was a synthesis of different weapon arts with Filipino martial arts as the base.

The Spartans' use of the narrow terrain, in those particular circumstances, is a military tactic known as " defeat in detail ". Paul Cartledge , Professor of Greek History at Cambridge University , advised the filmmakers on the pronunciation of Greek names, and said they "made good use" of his published work on Sparta.

He praises the film for its portrayal of "the Spartans' heroic code", and of "the key role played by women in backing up, indeed reinforcing, the male martial code of heroic honour", while expressing reservations about its " 'West' goodies vs 'East' baddies polarization".

Ephraim Lytle, assistant professor of Hellenistic History at the University of Toronto , said selectively idealizes Spartan society in a "problematic and disturbing" fashion, as well as portraying the "hundred nations of the Persians" as monsters and non-Spartan Greeks as weak.

He suggests that the film's moral universe would have seemed "as bizarre to ancient Greeks as it does to modern historians".

Leonidas points out that his hunched back means Ephialtes cannot lift his shield high enough to fight in the phalanx.

This is a transparent defence of Spartan eugenics , and convenient given that infanticide could as easily have been precipitated by an ill-omened birthmark.

Victor Davis Hanson , National Review columnist and former professor of Classical history at California State University, Fresno , who wrote the foreword to a re-issue of the graphic novel, said the film demonstrates a specific affinity with the original material of Herodotus in that it captures the martial ethos of ancient Sparta and represents Thermopylae as a "clash of civilizations".

He remarks that Simonides , Aeschylus , and Herodotus viewed Thermopylae as a battle against "Eastern centralism and collective serfdom", which opposed "the idea of the free citizen of an autonomous polis ".

Some passages from the Classical authors Aeschylus , Diodorus , Herodotus and Plutarch are split over the movie to give it an authentic flavor.

Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film. Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted.

Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the " misogynist " Persian ambassador and the Spartan king.

Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this.

It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta.

The director of , Zack Snyder , stated in an MTV interview that "the events are 90 percent accurate.

It's just in the visualization that it's crazy I've shown this movie to world-class historians who have said it's amazing. They can't believe it's as accurate as it is.

That's what I say when people say it's historically inaccurate". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth".

In an interview writer Frank Miller said, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason.

I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are.

Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king.

I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves.

Because the histories are endlessly fascinating. Kaveh Farrokh , in a paper entitled "The Movie: Separating Fact from Fiction", [] notes that the film falsely portrays "the Greco-Persian Wars in binary terms: the democratic, good, rational 'Us' versus the tyrannical, evil and irrational, 'other' of the ever-nebulous if not exotic 'Persia ' ".

He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights. This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture.

The Persians really used elephants in combat, but not during the first two wars against the Greeks; historical sources say that the first time the Greeks encountered elephants was in the battle of Gaugamela , won by Alexander the Great , one hundred and fifty years later.

Moreover, it is absolutely impossible that Persians used African rhinoceros like that shown in the film, also given the impossibility of training them for any purpose, as borne out by animal behavior's scientists.

According to the Spartan tradition, newborns were inspected and discarded in case of deformity or weakness, but they were not pushed down a cliff as shown in the film.

Before the release of , Warner Bros. Snyder relates that there was "a huge sensitivity about East versus West with the studio". Snyder replied that, while he was aware that people would read the film through the lens of current events, no parallels between the film and the modern world were intended.

Outside the current political parallels, some critics have raised more general questions about the film's ideological orientation.

The New York Post ' s Kyle Smith wrote that the film would have pleased " Adolf 's boys," [] and Slate 's Dana Stevens compares the film to The Eternal Jew , "as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war.

Since it's a product of the post-ideological, post- Xbox 21st century, will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games.

Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing".

They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights. It's a paradox that they were a bunch of people who in many ways were fascist , but they were the bulwark against the fall of democracy.

The closest comparison you can draw in terms of our own military today is to think of the red-caped Spartans as being like our special-ops forces.

They're these almost superhuman characters with a tremendous warrior ethic , who were unquestionably the best fighters in Greece. I didn't want to render Sparta in overly accurate terms, because ultimately I do want you to root for the Spartans.

I couldn't show them being quite as cruel as they were. I made them as cruel as I thought a modern audience could stand.

Michael M. Chemers, author of " ' With Your Shield, or on It': Disability Representation in " in the Disability Studies Quarterly , said that the film's portrayal of the hunchback and his story "is not mere ableism : this is anti-disability".

It would be much more classically Spartan if Leonidas laughed and kicked him off the cliff. From its opening, also attracted controversy over its portrayal of Persians.

Officials of the Iranian government [] denounced the film. The film's portrayal of ancient Persians caused a particularly strong reaction in Iran.

Azadeh Moaveni of Time reported, "All of Tehran was outraged. Everywhere I went yesterday, the talk vibrated with indignation over the film".

Ayende-No , an independent Iranian newspaper, said that "[t]he film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people".

Moaveni identified two factors which may have contributed to the intensity of Iranian indignation over the film. First, she describes the timing of the film's release, on the eve of Norouz , the Persian New Year , as "inauspicious".

Second, Iranians tend to view the era depicted in the film as "a particularly noble page in their history". Moaveni also suggests that "the box office success of , compared with the relative flop of Alexander another spurious period epic dealing with Persians , is cause for considerable alarm, signaling ominous U.

According to The Guardian , Iranian critics of , ranging from bloggers to government officials, have described the movie "as a calculated attempt to demonise Iran at a time of intensifying U.

The film focused on the Athenian admiral, Themistocles , as portrayed by Australian actor Sullivan Stapleton.

The sequel, Rise of an Empire , was released on March 7, From Wikipedia, the free encyclopedia. This article is about the film.

For the sequel, see Rise of an Empire. Theatrical release poster. Release date. Running time. Gerard Butler as Leonidas , King of Sparta.

David Wenham as Dilios , narrator and Spartan soldier. Lena Headey as Queen Gorgo , Queen of Sparta Gorgo has a larger role in the film than she does in the comic book, where she only appears in the beginning.

Tom Wisdom as Astinos, Captain Artemis' eldest son. In the film Astinos has a constant presence until he dies. In the comic book, the Captain's son is only mentioned when he dies.

Andrew Tiernan as Ephialtes , a deformed Spartan outcast and traitor. Stephen McHattie as the Loyalist , a loyal Spartan politician.

Michael Fassbender as Stelios , a young, spirited and highly skilled Spartan soldier. Peter Mensah as a Persian messenger who gets kicked into the well by Leonidas.

Kelly Craig as Pythia , an Oracle to the Ephors. Tyler Neitzel as young Leonidas 15 years old. Robert Maillet as Über Immortal giant , a muscular and deranged Immortal who battles Leonidas during the Immortal fight.

Patrick Sabongui as the Persian General who tries to get Leonidas to comply at the end of the battle. Leon Laderach as Executioner , a hulking, clawed man who executes men who have displeased Xerxes.

Tyrone Benskin as the whip-wielding Persian Emissary. Main article: Original Motion Picture Soundtrack. Main article: Rise of an Empire.

Ancient Greece portal Film portal United States portal. British Board of Film Classification. February 22, Archived from the original on September 16, Retrieved September 6, Archived from the original on October 15, Retrieved November 18, Box Office Mojo.

Archived from the original on March 13, Retrieved March 8, Archived from the original on January 27, Retrieved January 26, Retrieved October 5, Worley March 9, Archived from the original on April 30, Retrieved April 17, Broken Frontier.

Archived from the original on May 21, Archived from the original on May 3, Archived from the original on October 10, USA Today.

Archived from the original on May 17, Retrieved March 10, The New York Times. Archived from the original on July 29, Retrieved February 4, Archived from the original on May 13, Sci Fi Wire.

July 27, Archived from the original on June 10, Archived from the original on October 26, Retrieved March 22, Avatar Movie Zone.

Archived from the original on September 2, Retrieved December 10, Archived from the original on March 17, Retrieved March 17, Archived from the original on February 5, Retrieved October 29, Archived from the original on November 7, Archived from the original on August 6, Los Angeles Times.

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